The dissertation is handed in. I didn't get to take the argument as far down its arc as I'd hoped. I knew the 10,000 word limitation couldn't contain what I wanted to say, but it contained even less than I predicted. For example, my section on 'Snuffles' was reduced to a paragraph and I didn't get to include a discussion of 'Days of Grass, Days of Straw' at all! Ai yi yi. Guess that and some other overflow will be the next chapter in my exploration of the ecomonstrous in Cormac McCarthy and Lafferty. But working on the section on 'Smoe and the Implicit Clay' was especially exciting and enlightening to me. It will take much greater detail, tighter argument, and further wrestling with one of Lafferty's most richly layered and bizarre stories, but it felt like I was getting somewhere - especially in happening upon a resonance with a thinker called Alphonso Lingis who has argued for a metaphysics of upthrusting 'faces' in non-human things (a metaphor for the fact that all things are engaged in a task in response to an imperative), which is similar to Lafferty's imagery of faces rising up out of the clay in this tale. I will upload the paper to my academia.edu site (and provide a link here) when I've received a mark on it and made a few adjustments based on that feedback. It's only an undergraduate dissertation, but the paucity of academic writing on Lafferty available on the web perhaps justifies sharing it with the public.
Having said that, here's a feast of writing about Lafferty (academic and otherwise) that I've yet again been privileged to make contributions to: that's right, Volume 2 of Feast of Laughter: An Appreciation of R. A. Lafferty is hot off the press! This thing is more of a beast of a feast than volume one. The quantity and quality of the content have only increased (as well as the inner layout and design of the text). We're so surprised this thing is going from strength to strength - not because we think Lafferty fans aren't enthusiastic and talented, but because we just had no idea how many great people would make great contributions as a pure labour of love (there's no profit garnered from the books at this stage). There are reports from Laffertians in Japan, UK, Netherlands, Germany, and Russia. Truly fascinating stuff, trust me. There are new essays on how Lafferty's fiction works and what it achieves, as well as some more excellent and obscure reprints (including an academic article from a Thomas More journal on Lafferty's Past Master), some in-depth elucidations of Lafferty's barely-read, but by all accounts masterful, Argo Mythos, and reviews of a number of Lafferty's books. There are a variety of creative approaches in all this as well, from the highly academic to the utterly experimental, each enlightening and enthralling in its own way. And, in fact, as I've been reading through it, I've been amazed to note that the essays form almost a Laffertian baton race, where each new article picks up certain threads from the others and further elaborates. A big picture of the ethos and workings of Lafferty's cosmos is starting to emerge, I swear! There are also creative contributions again: songs, poems, stories, and art - including, again, Lissanne Lake as cover artist: her lovely rendering of Lafferty's short story 'Sodom and Gomorrah, Texas'. That story is also included in this volume, as well as an interview with Lafferty by Tom Jackson. We also got another professional 'lafferty' (an attempt to write a story in Lafferty's signature style), this time by Howard Waldrop!
I know I haven't reviewed volume 1 yet, as I promised I would, but I will and then I'll review this one as well. I want to briefly engage each and every piece in each volume, partly for the sake of each contributor getting at least that tiny bit of direct engagement with their work, but also just because each contribution is valuable and fascinating for its part played in the emergence of a Lafferty revival. And for the record, there are, from time to time, certain interpretations and viewpoints that I strenuously disagree with in these contributions. So it's not just a back-slapping club but a genuinely diverse and opinionated community. But I'm profoundly grateful for those views that spark rebuttal in me: iron sharpens iron and all that.
There's lots of other Lafferty news that I'd like to report on (like the induction of Lafferty into the Oklahoma Writers Hall of Fame and related events). But it will all have to await another post.
Showing posts with label essays. Show all posts
Showing posts with label essays. Show all posts
Saturday, April 18, 2015
Thursday, November 13, 2014
Join the Feast!
It is good to have a piece of the deep new knowledge as it births, it is good to see the future lifted out of the future pots.
-R. A. Lafferty, 'Funnyfingers' (1976)
The announcement you've been waiting for:
Feast of Laughter Issue 1 is live on Amazon:
248 pages, which feature 12 essays, 2 poems, 4 pieces of art, 5 short stories, and 1 interview (with John Pelan, editor of the Centipede Press Lafferty Library). One of the short stories is by R. A. Lafferty himself and another is by award-winning author Michael Bishop. (Cover painting by Lissanne Lake, illustrating a scene in Lafferty's 1973 story 'Days of Grass, Days of Straw'.)
From the Amazon description: "A labor of love by inspired fans, this magazine celebrates the literature of an original American treasure, R. A. Lafferty. Praised by Neil Gaiman and Gene Wolfe, compared to Borges and Garcia Marquez, Lafferty eludes genres. Sanguine about the availability of his writing, Lafferty fans created this enthusiastic mosaic of conversation, critique, fiction, poetry and art. Now, it's your turn."
As I write this, the magazine/book is rated number 7 on Amazon's Best Sellers in Science Fiction History & Criticism (it was at number 4 for an hour or so!).
CONTENTS:
The Origin of the Feast by Kevin Cheek
Talking About Talking About Lafferty by Kevin A. Cheek
Laffertography by Rich Persaud
A Few Words About R. A. Lafferty by Eric Walker
If You do not Love Words: The Pleasure of Reading Lafferty by Elaine Cochrane
An Interview with John Pelan by John Owen
Lafferty Deserves a Documentary - a call to action by Andrew Mass
Aloysius Ascending by David Cruces
An Instinct for Friendship by John Owen
To Be Continued? by John Barach
Up Close, and in Particular by Martin Heavisides
Hillary Ardri and Jane Chantal Ardri Illustration by Lydia Petersen
The Epic of Man and His Friends or Slumming It With the Ontic Outcasts or May Our Eyes Be Big Enough To Take In the Nine Hundred Percent Gain in Everything! by Daniel Otto Jack Petersen
Aeviternity: R.A. Lafferty’s Thomistic Philosophy of Time in the Argo Cycle by Gregorio Montejo
Some notes on play, time and Catholic Social Teaching in R.A. Lafferty by John Ellison
O Golden, O Silken, O Mother-Loving World! an original story by Daniel Otto Jack Petersen
The Prybar Spiel by Noah Wareness
The Woman Who Wondered What Onions Think by J Simon
Of Crystalline Labyrinths and the New Creation by Michael Bishop
The Six Fingers of Time - an essay by Andrew Ferguson
The Six Fingers of Time - a review by Kevin A. Cheek
The Six Fingers of Time by R. A. Lafferty
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