The Shelni Who Turned into a Tree

This is how they tell it.

There was a woman who was neither Shelni nor Skokie nor Frog. She was Sky Woman. One day she came with her child and sat down under the Shelni tree. When she got up to go she left her own child who was asleep and picked up a Shelni child by mistake. Then the Shelni woman came to get her own child and she looked at it. She did not know what was wrong but it was a Sky People child.

‘Oh, it has pink skin and flat eyes! How can that be?’ the Shelni woman asked. But she took it home with her and it still lives with the Shelni and everyone has forgotten the difference.

Nobody knows what the Sky Woman thought when she got the Shelni child home and looked at it. Nevertheless she kept it, and it grew and was more handsome than any of them.

But when the second year came and the young Shelni was grown, it walked in the woods and said ‘I do not feel like a Sky People. But if I am not a Sky People, then what am I? I am not a Duck. I am not a Frog. And if I am a Bird, what kind of Bird am I? There is nothing left. It must be that I am a Tree.’ There was reason for this. We Shelni do look a little bit like trees and we feel a little bit like trees.

So the Shelni put down roots and grew bark and worked hard at being a tree. He underwent all the hardships that are the life of a tree. He was gnawed by goats and gobniu; he was rough-tongued by cattle and crom; he was infested by slugs and befouled by the nameless animal. Moreover, parts of him were cut away for firewood.

But he kept feeling the jug music creeping up all the way from his undertoes to his hair and he knew that this music was was what he had always been looking for. It was the same jug and tine music that you hear even now.

Then a bird told the Shelni that he was not really a tree but that it was too late for him to leave off growing like a tree. He had brothers and sisters and kindred living in the hole down under his roots, the bird said, and they would have no home if he stopped being a tree.

This is the tree that is the roof of our den where we are even now. This tree is our brother who was lost and who forgot that he was a Shelni.

This is the way it has always been told.


-Excerpted from R. A. Lafferty's short story “Ride a Tin Can”, first published in Worlds of IF, 1970; also collected in Strange Doings, 1972

The Shelni Who Lost His Burial Tooth

It is told this way.

There was a Shelni who lost his burial tooth before he died. Every Shelni begins life with six teeth, and he loses one every year. Then, when he is very old and has only one tooth left, he dies. He must give the last tooth to the Skokie burial-person to pay for his burial. But this Shelni had either lost two teeth in one year or else he had lived to too great an age.

He died. And he had no tooth left to pay with.

‘I will not bury you if you have no tooth left to pay me with,’ said the Skokie burial-person. ‘Should I work for nothing?’

‘Then I will bury myself,’ said the dead Shelni.

‘You don't know how,’ said the Skokie burial-person. ‘You don't know the places that are left. You will find that all the places are full. I have agreement that everybody should tell everybody that all the places are full, so only the burial-person may bury. That is my job.’

Nevertheless, the dead Shelni went to find a place to bury himself. He dug a little hole in the meadow, but wherever he dug he found that it was already full of dead Shelnis or Skokies or Frogs. And they always made him put all the dirt back that he had dug.

He dug holes in the valley and it was the same thing. He dug holes on the hill, and they told him that the hill was full too. So he went away crying for he could find no place to lie down.

He asked the Eanlaith whether he could stay in their tree. And they said, no he could not. They would not let any dead folks live in their tree.

He asked the Eise if he could stay in their pond. And they said, no he could not.

They would not allow any dead folks in their pond.

He asked the Sionnach if he could sleep in their den. And they said, no he could not. They liked him when he was alive, but a dead person has hardly any friends at all.

So the poor dead Shelni wanders yet and can find no place to rest his head.

He will wander forever unless he can find another burial tooth to pay with.

They used to tell it so.


-Excerpted from R. A. Lafferty's short story “Ride a Tin Can” (1970)

Another brief short story review - 'The Wagons' (1959)

Cross-posted here:  http://www.ralafferty.org/works/stories/the-wagons/.

As his first to be published, this story is an incredible start to Lafferty's career.  First published in the New Mexico Quarterly Review, Spring 1959, it is a very 'literary' story that is yet about oral storytelling, especially American Frontier tall tales and Native American myth-making.  It is a sly story that uses lying exaggerations about local ecology to tell truths about the same.  It begins Lafferty's long career of widening his readers' gaze to include so much more detail and depth and layers than we are wont to include.  It is also a very quietly touching story of fathers and sons, of both learning from each other, from what each perspective uniquely brings, especially mature erudition from the older and enthusiastic invention from the younger. Indeed, the story also sets up profound discourses:  between Platonic Forms and Aristotelian minutiae, between the 'scientific' knowledge of the anthropologist and and the 'folk wisdom' of the 'native', and so on.

'The Wagons' deserves to be widely known and would make a good introduction to Lafferty's work for general readers.  It could very easily be included in a Norton Anthology of American Literature or the like.  

For more (and better) insights on this story, see http://ralafferty.tumblr.com/post/51625679547/32-the-wagons.