Showing posts with label illustration. Show all posts
Showing posts with label illustration. Show all posts

Wednesday, April 18, 2012

Illustration for Eurema's Dam!

How rare!  Stumbled across this illustration by Jori Bolton of the main character, Albert, from Lafferty's Hugo Award-winning short story 'Eurema's Dam' (1973).  In the typically weird logic of Lafferty's story, Albert 'was about the last dumb kid ever born', which is what made him a brilliant genius inventor.  One of the main things he invented was intelligent robots of various sorts.  (Hence, presumably, his daydream of a mechanical butterfly or moth here.)  He was too 'dumb' to write and do maths in school, so he 'cheated' by inventing machines that would do those things for him!  The story just gets weirder, funnier, and darker from there.  Even though I sympathise with the fact that apparently Lafferty was a bit miffed that out of all his stories they finally chose this one for the Award (he was nominated many times), it's still a Lafferty classic in my opinion.

Albert
An illustration for R. A. Lafferty’s short story, Eurema’s Dam.



Here's one of my favourite passages from early in the story (indeed, one of my fave passages in all of Lafferty) - hilarious, beautiful, wonderfully odd and erudite:

'When, about the middle of his ninth year, Albert made a breakthrough at telling his right hand from his left he did it by the most ridiculous set of mnemonics ever put together.  It had to do with the way dogs turn around before lying down, the direction of whirlpools and whirlwinds, the side a cow is milked from and a horse is mounted from, the direction of twist of oak and sycamore leaves, the maze patterns of rock moss and tree moss, the cleavage of limestone, the direction of a hawk's wheeling, a shrike's hunting, and a snake's coiling (remembering that the Mountain Boomer is an exception), the lay of cedar fronds and balsam fronds, the twist of a hole dug by a skunk and by a badger (remembering pungently that skunks sometimes use old badger holes).  Well, Albert finally learned to remember which was right and which was left, but an observant boy would have learned his right hand from his left without all that nonsense.'

Wednesday, January 18, 2012

'SAN LAFFERTIVS - Patron of Coyotes and Visionary Lunatics'

Amazing how new Lafferty stuff sits around online for a year before one notices it...

This is an illustration of Lafferty from Bruised Terrestrial ('the drawing-and-arting blog of Adam Moore / Laemeur').  At the blog site it is accompanied by some interesting comments from the illustrator, who is a Lafferty fan.  The text in this 'saintly' portrait is from Lafferty's 1968 novel, Past Master.  I think it's pretty dang cool.

Sunday, September 11, 2011

Speaking of Aurelia...

Gregorio and I got a little sidetracked on the 'Nine Hundred Grandmothers' thread into talking about Lafferty's neglected (I'm tempted to say 'little masterpiece') novel, Aurelia (1982). I was saying that where so many of Lafferty's novels feel like an Apocalypse, this one felt more like an Advent. Gregorio took it one step further and wondered whether it was Lafferty's attempt at the genre of 'Gospel'.

I found the book, whilst very funny at times and full of weird and sometimes grotesque wonder, also to be rather poignant and a little sad (in a 'touching' way, though not with any sentimental sense that word might imply). It almost felt like Lafferty's last will and testament or something.
Anyway, with all that rolling round my head and heart I came across the beautifully kitschy illustration by my wife below (posted today on her blog Flannery O'Kafka) and felt it resonating strongly and strangely with this novel about a young girl from another world set down on Earth in a mountainous village - who eventually receives violent rejection.

Amusingly, in this illustration there is also a cameo by Snuffles the alien ursine from Lafferty's short story of that name (or is that King Riksino, 'the cave-bear, the musk-bear', from his short story 'Frog On the Mountain'?) as well as by St Joseph who makes an appearance in Lafferty's novel East of Laughter! (My wife has read none of these, so any real resonances are unintentional on her part.)



'It was all strong talk with the horns and hooves still on it.'
(R. A. Lafferty, The Devil is Dead)